Cultures of Kindness creates a safe space for wearers by exploring how strangers communicate kindness to one another.
Complete Success forms a visual enquiry into the abstract claims and suggestions certain garments make about the wearer.
Wear Out explores iconic Australian outdoor and workwear, re-contextualising these pinnacle pieces into modern fashion.
Do Not Use, For Decorative Purposes Only is an exploration into spaces of self-expression, primarily within the home.
2 & 3 explores the relationship between 2D and 3D, scale and geometric shapes in different aspects of the design process.
Boys Don't Cry is explores post-Soviet youth culture, drawing on the reconfiguration of the hooded tracksuit.
Abhaya Aullen Mistry
2049 explores the enhancement or appropriation of an object when displayed across changing forms.
So We Can Remember views fashion as memory objects, considering the home as the private site for memory curation.
Assemblage in Motion is an investigation into how the body and clothing become one entity by blurring the body boundary.
Flutter Space explores the interrogation of surfaces through material manipulation techniques.
Charmaine De Lima
Based on the beauty of Lebanese culture, Equilibrium is an interpretation of a balanced world.
Life Hangs by a Thread explores the folklore of European ‘dreaming’ through its primary use of handwoven fabrics.
Taking inspiration from history and high-end fashion, Mode Flottante explores the relationship between clothing and status.
Contoured Space explores the relationship between the body, dress, space and the environment.
Legit Poetry explores the consumption and manipulation of modern communication.
Bare Basis takes inspiration from lingerie and the traditional shirt, re-situating them for ready-to-wear.
Düğüm (knots) aims to break the political stigma surrounding Islamic dress.
Projection of the Self explores dress as a controlled perception of identity, inspired by the designer’s mixed heritage.
Luxury uses artificial materials to mimic fabrics considered luxurious such as snakeskin and fur.
Not Welcome explores the idea of inappropriate clothing in certain contexts, such as the home and office.